Embedded Files
Masqueraders in This Never-Ending Marchfiber, discarded textiles and wiredimensions variable2019
Image courtesy of artist
Image courtesy of artist
Flowers for the Saints IVburlap, twine, wire, paper, natural and synthetic fibers33 x 58 x 4"2020
Image courtesy of the artist
Image courtesy of the artist
Masqueraders in This Never-Ending March (installation view)fiber, discarded textiles and wiredimensions variable2019
Image courtesy of artist
Image courtesy of artist
Mother of Horns Who Holds Our Every Knotpin and fiber on carved foam20 x 20 x 35"2020
Image courtesy of the artist
Image courtesy of the artist
Mother of Hornssynthetic resin, natural and synthetic fiber on wire and foam armature20 x 20 x 45"2020
Image courtesy of artist
Image courtesy of artist
The physicality of time and space reclaimed, woven and knotted in constant place. As an artist Broche is an exceptional storyteller - whose work tells a good ghost story as easily as a charming family memory and ultimately Broche gracefully exits stage left to allow objects, cultures and relationships to tell stories all their own.
-Ian CarstensAmalia Galdona Broche
Amalia Galdona Broche is a multidisciplinary artist working in fibers, sculpture, time-based and installation mediums. Broche creates in a labor-intensive, compiling, maximalist style that employs knotting, tearing, draping and coiling techniques alongside traditional and modern technologies. Broche draws inspiration from their formative years in Santa Clara, Cuba as well as internal landscapes complicated by questions of identity, transculturation, immigration and the interplay between the collective/individual. Broche is currently a MFA candidate of Visual Studies at the University of Kentucky.
In addition to being a featured artist with Glass Breakfast you can find the work of Amalia Galdona Broche at amaliagaldonabroche.com and on Instagram.
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